{"title":"Kim Yong Seop","description":"","products":[{"product_id":"celadon-gye-young-bae-sobriety-cup-flowing-yeonri-pattern-created-from-three-clays-by-master-artisan","title":"青磁混合土文様の桂栄杯","description":"\u003cp\u003e韓国の伝統的な手作り青磁の混合粘土デザインのピタゴラスカップ (청자 연리문 계영배) のユニークな美しさと機能性をご覧ください。「節制のカップ」として知られるこの特別なカップは、70% 以上満たされると自動的に空になるよう巧妙に設計されており、責任ある飲酒を促進するのに最適です。\u003c\/p\u003e\n\n\u003cp\u003e 3 色の粘土を混ぜて作られたこのカップは、アーティストに要求される高度な技術を物語っています。この工程では正確なタイミングが求められます。粘土を混ぜすぎると、はっきりとした色が分離せず、毎回ユニークな模様ができあがります。失敗率が高いため、カップはどれも本当に唯一無二のものです。\u003c\/p\u003e\n\n \u003cp\u003e思いやりのある贈り物として、またはユニークな手作り品を好む人への贈り物として最適なこの青磁の桂洋鉢は、どんなコレクションにも美しく加わります。この素晴らしい作品で韓国の芸術性を讃えましょう。\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e寸法\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e高さ - 12 cm (4.72 インチ)\u003c\/li\u003e\n\n\u003cli\u003e幅 - 12 cm (4.72 インチ)\u003c\/li\u003e\n\n\u003cli\u003e長さ - 16 cm (6.3 インチ)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003e関連リンク\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003ca title=\"セラドンについて\" href=\"https:\/\/www.artinko.com\/blogs\/korean-culture\/about-celadon\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.artinko.com\/blogs\/korean-culture\/about-celadon\"\u003eセラドンについて\u003c\/a\u003e\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Celadons","offers":[{"title":"Default Title","offer_id":49611782881511,"sku":null,"price":510.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/0100\/1191\/files\/BCBF4E13-E820-4427-854B-164383CB4097.jpg?v=1716604471"},{"product_id":"aster-artisan","title":"青磁の箱に大理石模様を混ぜて描いたもの","description":"\u003cp\u003e韓国の伝統的な手作りの混合粘土デザインの青磁蓋箱 (청자 연리문 향합) のユニークな美しさと機能性をご覧ください。この精巧な蓋箱は、歴史的には女性の化粧パウダーやお香を保管するために使用されていましたが、現在では小さな貴重品を保管するための多目的容器として使用されています。\u003c\/p\u003e\n\n\u003cp\u003e 3 色の粘土を混ぜて作られた各箱は、アーティストの高い技術と精度を示しています。このプロセスには正確なタイミングが求められます。粘土を混ぜすぎると、明確な色がはっきりと分離せず、毎回ユニークな模様になります。失敗率が高いため、各箱はまさに唯一無二のものです。\u003c\/p\u003e\n\n\u003cp\u003eヨンリムン（延里月）として知られる混合粘土のデザインは、高麗時代の青磁工芸に由来しています。その絶妙な美しさにもかかわらず、この技法はその複雑さのために主流にはならず、その時代は象嵌青磁が主流でした。\u003c\/p\u003e\n\n \u003cp\u003e思いやりのある贈り物として、またはユニークな手作り品を好む人への贈り物として最適なこの青磁の箱は、どんなコレクションにも美しく加わります。伝統と現代的な機能性を融合させたこの素晴らしい作品で、韓国の芸術性を讃えましょう。この素晴らしい青磁の箱で、ご自宅に優雅さと文化的意義を加えましょう。\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e寸法\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e直径 - 11 cm (4.33 インチ)\u003c\/li\u003e\n\n\u003cli\u003e高さ - 4 cm (1.57 インチ)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003e関連リンク\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\u003ca href=\"https:\/\/www.artinko.com\/blogs\/korean-culture\/about-celadon\" title=\"セラドンについて\"\u003eセラドンについて\u003c\/a\u003e\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Celadons","offers":[{"title":"Default Title","offer_id":49733822709991,"sku":null,"price":217.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/0100\/1191\/files\/67A8E271-CFBC-4A1B-82C4-3CCCC430E7AD.jpg?v=1717744786"},{"product_id":"celadon-vase-with-flowing-yeonri-pattern-a-masterpiece-by-a-master-artisan","title":"混合粘土（大理石）デザインの青磁花瓶","description":"\u003cp\u003e弊社のユニークな韓国伝統の手作り青磁花瓶（混合粘土デザイン）の並外れた美しさを体験してください。3色の混合粘土から作られたこの絶妙な花瓶は、アーティストの高い技術と精度の証です。このプロセスには正確なタイミングが求められます。粘土を混ぜすぎると、明確な色がはっきりと分離せず、毎回ユニークなパターンになります。失敗率が高いため、各花瓶はまさにユニークなものです。\u003c\/p\u003e\n\n\u003cp\u003eヨンリムン（延里月）として知られる混合粘土のデザインは、高麗時代の青磁工芸にそのルーツを持っています。その絶妙な美しさにもかかわらず、この技法はその複雑さのために主流にならず、その時代は象嵌青磁が主流でした。\u003c\/p\u003e\n\n \u003cp\u003eこの見事な青磁の花瓶は、花を飾るのに最適です。また、単独で飾っても素晴らしい装飾品になります。ユニークなデザインと調和のとれた色の組み合わせにより、どんな家にもエレガントな雰囲気を添えます。ユニークな手作り品を好む方への心のこもった贈り物として最適なこの青磁の花瓶は、韓国の芸術性と伝統を讃え、あなたの空間に文化的意義のタッチを加えます。\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e寸法\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e直径 - 18 cm (7.08 インチ)\u003c\/li\u003e\n\n\u003cli\u003e高さ - 19 cm (7.48 インチ)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cmeta charset=\"UTF-8\"\u003e\n\n\u003cp\u003e\u003cstrong\u003e関連リンク\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\u003ca title=\"セラドンについて\" href=\"https:\/\/www.artinko.com\/blogs\/korean-culture\/about-celadon\"\u003eセラドンについて\u003c\/a\u003e\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Celadons","offers":[{"title":"Default Title","offer_id":49745395613927,"sku":null,"price":905.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/0100\/1191\/files\/01B2AECE-FDFD-439F-BA65-CC236A8F350E.jpg?v=1717907840"},{"product_id":"celadon-gye-yeong-bae-embossed-crane-motif-by-master-artisan","title":"Celadon Gye-yeong Bae: Embossed Crane Motif by Master Artisan","description":"\u003cp\u003e\u003cstrong\u003e“Where restraint becomes elegance, and balance is quietly profound.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt first glance, this celadon vessel may appear playful—its proportions charming, its structure curious. But as one pours, a quiet lesson reveals itself. This is a Gye-yeong Bae, a “sobriety cup”—a drinking vessel designed not to overflow, but to teach. Fill it beyond a certain point, and the liquid vanishes through its hidden conduit. It is not broken. It is wise.\u003c\/p\u003e\n\u003cp\u003eCrafted by master artisan Kim Yong-Seop—a revered figure in the tradition of Icheon ceramics—this set is a study in philosophical form. Both the cup and the pot feature twin cranes in embossed relief, their wings outstretched in mirrored flight. Their presence is not ornamental; it is intentional. In East Asian symbology, cranes embody longevity, but here they also suggest duality, grace, and the aspiration to rise above.\u003c\/p\u003e\n\u003cp\u003eThe surface is covered in a luminous celadon glaze, whose intricate crackled webbing (craquelure) invites close observation. Each line tells of time, temperature, and the slow dance of glaze over clay. The form, though compact, is complex: the spout curves like a question, while the internal structure—visible only when lifting the cup—reveals the hidden mechanism through which excess is humbly returned.\u003c\/p\u003e\n\u003cp\u003eThe story of this form stretches far beyond its clay. Historically, the Gye-yeong Bae is tied to the tale of a once-wealthy artisan who, having squandered his fortune in indulgence, returned to his teacher in shame. In penance, he created this cup—a vessel to caution against excess. It was later owned by a legendary merchant who, by keeping the cup close, governed his desires and prospered through moderation.\u003c\/p\u003e\n\u003cp\u003eThis set is not merely for pouring drink; it is for pouring thought. A functional sculpture. A vessel of introspection. A reminder, perhaps, that more is not always better—and that elegance lies in knowing when to stop.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach set is carefully wheel-thrown and finished by hand.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAs such, subtle variations in form, glaze, or motif placement may occur—traces not of imperfection, but of human presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight- 12 cm (4.72 inch)\u003c\/li\u003e\n\u003cli\u003eWidth- 12 cm (4.72 inch)\u003c\/li\u003e\n\u003cli\u003eLength- 16 cm (6.3 inch)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Links\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.artinko.com\/blogs\/korean-culture\/about-celadon\" title=\"About Celadon\"\u003eAbout Celadon\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca title=\"Pottery Master Kim Yong Seop Collection\" href=\"https:\/\/www.artinko.com\/collections\/kim-yong-seop\"\u003eKim Yong Seop Collection\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca title=\"Master Artisan Collection\" href=\"https:\/\/www.artinko.com\/collections\/master-artisan\"\u003eMaster Artisan Collection\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Celadons","offers":[{"title":"Default Title","offer_id":51505323507943,"sku":null,"price":391.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/0100\/1191\/files\/27D316A7-2990-4EA9-8F13-135345C9BC47.jpg?v=1761518848"},{"product_id":"celadon-vase-couple-of-cranes-in-relief-carving-by-master-artisan","title":"Celadon Vase: Relief-Carved Pair of Cranes Motif by Master Artisan","description":"\u003cp\u003e\u003cstrong\u003e“Where silence breathes, and flight begins from stillness.“\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt once minimal and monumental, this round-bodied celadon vase invites the gaze to slow. Its surface, cloaked in an ethereal blue-green glaze with soft craquelure, seems less like ceramic than like moonlight held in shape. It is both vessel and void—an homage to what is said by what is left unsaid.\u003c\/p\u003e\n\u003cp\u003eThe form itself defies convention. There is no defined neck or spout—only a gentle opening, slightly recessed into the spherical mass. This structural decision, deceptively simple in appearance, posed a technical risk during firing. Without the reinforcement of a neck, the body is more prone to collapse in the kiln. Master artisan Kim Myung-Sub of Icheon—a renowned figure in Korean ceramics—undertook this challenge with resolve, embracing failure as part of form. What emerged is not merely a vase, but a quiet triumph of balance over fragility.\u003c\/p\u003e\n\u003cp\u003eAdorning the surface are two white cranes, delicately rendered in raised relief. They are neither crowded nor central; they float in a sea of celadon glaze, their wings extended mid-flight. The pairing is intentional—a symbol of harmony and companionship, of duality in motion. The surrounding expanse is unmarked, amplifying the presence of these two figures and honouring the philosophy of negative space.\u003c\/p\u003e\n\u003cp\u003eThe crackled glaze, known as bingyeol, adds subtle movement to the still form—fine as veins beneath translucent jade. The absence of overt decoration becomes its greatest strength. Here, restraint becomes resonance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiameter- 22.5 cm (8.86 inch)\u003c\/li\u003e\n\u003cli\u003eHeight- 25 cm (9.84 inch)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Links\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca title=\"About Celadon\" href=\"https:\/\/www.artinko.com\/blogs\/korean-culture\/about-celadon\"\u003eAbout Celadon\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.artinko.com\/collections\/kim-yong-seop\" title=\"Pottery Master Kim Yong Seop Collection\"\u003eKim Yong Seop Collection\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.artinko.com\/collections\/master-artisan\" title=\"Master Artisan Collection\"\u003eMaster Artisan Collection\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Celadons","offers":[{"title":"Default Title","offer_id":51510605349095,"sku":null,"price":1292.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/0100\/1191\/files\/D37897F9-B2CF-4699-862F-B9214004A7EB.jpg?v=1761622510"},{"product_id":"celadon-vase-ho-high-relief-pair-of-cranes-by-master-artisan","title":"Celadon Vase (Ho): High-Relief Pair of Cranes by Master Artisan","description":"\u003cp\u003e\u003cstrong\u003eThose who choose slowly, and prefer silence in an object over spectacle, tend to return to a form like this.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Blue-green light seems to pause on its surface.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAt once minimal and monumental, this round-bodied celadon vase invites sustained looking. Its blue-green glaze has the depth of translucent jade, and its soft craquelure gives the surface a quiet, internal animation—subtle, persistent, never decorative for its own sake.\u003c\/p\u003e\n\u003cp\u003eMaster artisan Kim Yong-Seop of Icheon approaches celadon as an exercise in restraint, where the smallest change alters the entire balance. In this new work, the most telling departure is the mouth, drawn longer than before. That extension is a measured risk: it lifts the profile, narrows the margin for error, and asks the body to remain stable beneath a more pronounced upward line. The vase answers with composure, its volume holding the tension without strain.\u003c\/p\u003e\n\u003cp\u003eAcross the shoulder, a pair of cranes is modelled in pale relief, wings spread mid-flight. They are not placed as a central emblem; instead, they hover within a wide expanse of unmarked glaze. This restraint amplifies their presence. In Korean visual culture, cranes are enduring symbols of longevity and integrity; shown as a pair, they also speak to harmony and companionship—two beings moving together through open space. The motif reads as a concluding note rather than an assertion.\u003c\/p\u003e\n\u003cp\u003eThe crackled glaze—bingyeol—threads fine lines beneath the light, giving the still form a sense of time held in suspension. Here, celadon’s natural splendour meets the minimal finish of the paired cranes, and the harmony is achieved through what is left untouched.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHeight- 24 cm (9.45 inch)\u003c\/li\u003e\n\u003cli\u003eDiameter- 22.5 cm (8.86 inch)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Links\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca title=\"About Celadon\" href=\"https:\/\/www.artinko.com\/blogs\/korean-culture\/about-celadon\"\u003eAbout Celadon\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.artinko.com\/collections\/kim-yong-seop\" title=\"Pottery Master Kim Yong Seop Collection\"\u003eKim Yong Seop Collection\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.artinko.com\/collections\/master-artisan\" title=\"Master Artisan Collection\"\u003eMaster Artisan Collection\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Celadons","offers":[{"title":"Default Title","offer_id":51794840846567,"sku":null,"price":1292.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/0100\/1191\/files\/75CF9EAE-8936-404E-98DD-84518205DBD3.jpg?v=1771451419"},{"product_id":"white-porcelain-covered-box-lotus-motif-by-master-artisan","title":"White Porcelain Covered Box: Lotus Motif by Master Artisan","description":"\u003cp\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiameter- 8.5cm (3.35 inch)\u003c\/li\u003e\n\u003cli\u003eHeight- 4cm (1.57 inch)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Links\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca title=\"About white porcelain in artinko.com\" href=\"https:\/\/www.artinko.com\/blogs\/korean-culture\/about-white-porcelain\"\u003eAbout White Porcelain\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.artinko.com\/collections\/kim-yong-seop\" title=\"Pottery Master Kim Yong Seop Collection\"\u003eKim Yong Seop Collection\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.artinko.com\/collections\/master-artisan\" title=\"Master Artisan Collection\"\u003eMaster Artisan Collection\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"White Porcelains","offers":[{"title":"Default Title","offer_id":51814711427303,"sku":null,"price":107.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/0100\/1191\/files\/198271D7-EAE8-4A74-B867-1D6D0C9CBD74.jpg?v=1771902430"},{"product_id":"white-porcelain-covered-box-chrysanthemum-and-scrolling-vine-motif-by-master-artisan","title":"White Porcelain Covered Box: Inlaid Chrysanthemum and Scrolling Vine Motif by Master Artisan","description":"\u003cp\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiameter- 8.5cm (3.35 inch)\u003c\/li\u003e\n\u003cli\u003eHeight- 4cm (1.57 inch)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Links\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca title=\"Pottery Master Kim Yong Seop Collection\" href=\"https:\/\/www.artinko.com\/collections\/kim-yong-seop\"\u003eKim Yong Seop Collection\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003ca title=\"Master Artisan Collection\" href=\"https:\/\/www.artinko.com\/collections\/master-artisan\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMaster Artisan Collection\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"White Porcelains","offers":[{"title":"Default Title","offer_id":51822820458727,"sku":null,"price":107.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/0100\/1191\/files\/D060C40A-181C-49A2-AEDD-788C761424F3.jpg?v=1772216513"},{"product_id":"celadon-jar-ho-pine-in-relief-and-inlaid-crane-motif-by-master-artisan","title":"Celadon Jar (Ho): Pine in Relief and Inlaid Crane Motif by Master Artisan","description":"\u003cp\u003e\u003cstrong\u003eIt is chosen by those who recognize that true presence rarely announces itself.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“A still world gathers beneath the glaze, where endurance and passage meet in luminous quiet.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis celadon jar by Kim Yong-Seop of Icheon is defined by a composure that feels both spare and exacting. Its near-spherical body rises without the reassurance of a pronounced neck, opening only slightly at the summit, as though the form had been drawn inward rather than extended outward. Such restraint is not merely aesthetic. In a vessel of this kind, the absence of a developed neck increases the difficulty of achieving stability in the kiln, and so the serenity of the final silhouette carries within it a hidden technical resolve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe surface is organised around an old pine rendered in embossed relief, its trunk and branches unfolding across the generous curve of the body with measured authority. This choice of motif is inseparable from the form itself. On so broad and continuous a field, the pine serves not as embellishment but as structure: it anchors the eye, distributes visual weight, and draws the gaze gradually around the vessel’s circumference. The composition therefore does not interrupt the jar’s rounded fullness; it inhabits it, allowing image and volume to remain in quiet accord.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat lends the pine its particular distinction is the extraordinary refinement of its making. The tree is first brought forward in low relief, then worked again with finely incised lines that articulate the grain of the trunk and the delicate spread of the needles. This secondary cutting is crucial. It prevents the raised surface from becoming merely mass, giving it instead an inner vibration, a sense of age, breath, and tensile life. One becomes aware here of the master’s discipline: volume is established with restraint, then animated through incision so subtle that the hand remains present without ever becoming insistent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAround and between the branches, cranes appear with remarkable lightness. Their bodies are set into the surface with delicacy, so that they seem less attached to the jar than momentarily held within it. They do not crowd the composition, nor are they gathered into a fixed emblematic centre. Instead, they move through intervals of open ground, and it is precisely this spacing that gives them grace. In Korean visual tradition, the pairing of pine and crane carries longstanding associations with longevity, steadfastness, dignity, and auspicious continuity. Here, that symbolism is handled with notable intelligence: the pine offers permanence, while the cranes introduce passage; one holds, the other traverses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe celadon glaze gathers these elements into a single atmospheric field. Its blue-green tone possesses a quiet radiance, while the fine craquelure spreads across the surface like an intimate record of fire and cooling. Rather than functioning as embellishment, this network of lines softens transitions between relief, incision, and open space, so that the vessel reads as one continuous skin of light. The result is neither wholly pictorial nor wholly sculptural. It exists, more compellingly, between the two.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEqually important is what has been left undisturbed. The work depends upon reserves of open surface, and these areas of calm are not empty in any diminished sense. They are the conditions that allow the pine to extend with gravity and the cranes to move without noise. This measured use of negative space gives the jar its monumental character. What first appears restrained gradually reveals itself as deeply composed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOver time, the vessel discloses its full authority slowly: ancient pine held in raised contour, cranes passing in lucid intervals, and a glaze that receives light with the patience of something long remembered. It does not simply depict longevity; it gives form to a way of enduring.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiameter- 29 cm (11.42 inch)\u003c\/li\u003e\n\u003cli\u003eHeight- 29 cm (11.42 inch)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Links\u003c\/strong\u003e\u003ca href=\"https:\/\/www.artinko.com\/blogs\/korean-culture\/about-white-porcelain\" title=\"About white porcelain in artinko.com\"\u003e\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.artinko.com\/blogs\/korean-culture\/about-celadon\" title=\"About Celadon\"\u003eAbout Celadon\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca title=\"Pottery Master Kim Yong Seop Collection\" href=\"https:\/\/www.artinko.com\/collections\/kim-yong-seop\"\u003eKim Yong Seop Collection\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca title=\"Master Artisan Collection\" href=\"https:\/\/www.artinko.com\/collections\/master-artisan\"\u003eMaster Artisan Collection\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Celadons","offers":[{"title":"Default Title","offer_id":51947114234087,"sku":null,"price":2252.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/0100\/1191\/files\/CELADON_JAR_HO_PINE_IN_RELIEF_AND_INLAID_CRANE_MOTIF.jpg?v=1775469754"},{"product_id":"celadon-jar-danji-yeollimun-mixed-clay-technique","title":"Celadon Jar (Danji): Yeollimun Mixed-Clay Technique","description":"\u003cp\u003e\u003cstrong\u003eThis work belongs to a collector who looks for cultural memory not in ornament alone, but in the discipline by which a material is brought into order.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“The jar appears to breathe through its surface, as if mist, clay, and time had settled into one rounded form.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eKim Yong Seop’s Korean Celadon Jar: Yeollimun Mixed-Clay Technique presents a contemporary continuation of a rare ceramic language known from the Goryeo period. As an Icheon master ceramist, Kim approaches Yeollimun not as revival for its own sake, but as a demanding structure of thought: the pattern must be born within the clay, yet brought into visible order through deliberate forming, cutting, and firing.\u003c\/p\u003e\n\u003cp\u003eThe form is deliberately restrained. A compact foot anchors the vessel, the body expands into a generous spherical volume, and the shoulder closes gently towards a narrow mouth. This controlled profile allows the surface to be read slowly. The jar does not rely on pictorial imagery; instead, its meaning unfolds through rhythm, density, and the movement of clay itself.\u003c\/p\u003e\n\u003cp\u003eYeollimun is often described through its resemblance to marbling or wood grain, but in this work the comparison is only a beginning. The white, celadon, and dark clays have been mixed so that their colours remain distinct while also entering into a shared flow. This balance is difficult to maintain. If the clay is overworked, the colours lose their independence; if it is not sufficiently worked, air and uneven structure may cause failure in the kiln. The visible pattern therefore records a highly disciplined negotiation between softness and control.\u003c\/p\u003e\n\u003cp\u003eThe vertical grooves are central to the object’s intelligence. After wheel-throwing, the surface has been carved at even intervals, creating a ribbed structure that draws the eye from foot to mouth. Yet these grooves are not independent from the Yeollimun movement beneath them. They appear to have been cut in conscious relation to the mixed-clay pattern, allowing the darker and lighter passages to gather, repeat, and intensify across the curvature of the body. The result is neither purely natural nor mechanically regular. It is a composed meeting between accident and judgement.\u003c\/p\u003e\n\u003cp\u003eAround the middle of the jar, the darker pattern forms a horizontal zone, almost like a band of compressed breath. Above it, the vertical lines feel lighter and more open; below it, the pattern thickens and becomes more mineral, more inward. This arrangement gives the jar a sense of gravity. The eye is held at the centre before being released upward towards the mouth or downward towards the foot. In this way, the vessel guides viewing through its own structure.\u003c\/p\u003e\n\u003cp\u003eWithin Korean ceramic history, Yeollimun carries the quiet dignity of a path less widely preserved. Though known in the Goryeo period, it did not achieve the same public familiarity as other celebrated forms of Goryeo celadon because its process was difficult to control and unsuited to easy repetition. Kim Yong Seop’s work therefore has significance beyond surface beauty. It participates in the continuation of a fragile ceramic memory, one that nearly receded from common recognition.\u003c\/p\u003e\n\u003cp\u003eThe blue-green glaze gives the jar a subdued luminosity. It does not cover the Yeollimun pattern so much as hold it in suspension. Reflections pass across the ribs, while the darker clay appears and disappears according to angle and light. The rounded body rewards rotation: each view reveals a slightly different relationship between vertical carving, horizontal banding, and the internal flow of mixed earth.\u003c\/p\u003e\n\u003cp\u003eAs a vessel, it is not visually static. Its presence changes with looking. From the front, it appears composed and balanced; from an angle, the ribbed surface begins to move; seen from above, the small mouth becomes a dark centre within the radiating structure of the clay. The work carries the memory of the wheel, the pressure of the hand, the difficulty of firing, and the long patience required to make uncertainty behave without silencing it.\u003c\/p\u003e\n\u003cp\u003eThis jar stands as a contemporary vessel of inheritance: quiet, exacting, and deeply Korean in its understanding that beauty may arise when nature is guided, not conquered.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiameter- 18 cm (7.08 inch)\u003c\/li\u003e\n\u003cli\u003eHeight- 16 cm (6.3 inch)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Links\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.artinko.com\/blogs\/korean-culture\/about-celadon\" title=\"About Celadon\"\u003eAbout Celadon\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca title=\"Pottery Master Kim Yong Seop Collection\" href=\"https:\/\/www.artinko.com\/collections\/kim-yong-seop\"\u003eKim Yong Seop Collection\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca title=\"Master Artisan Collection\" href=\"https:\/\/www.artinko.com\/collections\/master-artisan\"\u003eMaster Artisan Collection\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Celadons","offers":[{"title":"Default Title","offer_id":52029311058151,"sku":null,"price":905.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/0100\/1191\/files\/57A61463-D516-41CC-93FE-D6BB6028EFFF.jpg?v=1777702751"},{"product_id":"celadon-vase-ho-yeollimun-mixed-clay-technique-by-master-artisan","title":"Celadon Vase (Ho): Yeollimun Mixed-Clay Technique by Master Artisan","description":"\u003cp\u003e\u003cstrong\u003eThis work belongs to a collector who looks for cultural memory not in ornament alone, but in the discipline by which a material is brought into order.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“The jar appears to breathe through its surface, as if mist, clay, and time had settled into one rounded form.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eKim Yong Seop’s Korean Celadon Jar: Yeollimun Mixed-Clay Technique presents a contemporary continuation of a rare ceramic language known from the Goryeo period. As an Icheon master ceramist, Kim approaches Yeollimun not as revival for its own sake, but as a demanding structure of thought: the pattern must be born within the clay, yet brought into visible order through deliberate forming, cutting, and firing.\u003c\/p\u003e\n\u003cp\u003eThe form is deliberately restrained. A compact foot anchors the vessel, the body expands into a generous spherical volume, and the shoulder closes gently towards a narrow mouth. This controlled profile allows the surface to be read slowly. The jar does not rely on pictorial imagery; instead, its meaning unfolds through rhythm, density, and the movement of clay itself.\u003c\/p\u003e\n\u003cp\u003eYeollimun is often described through its resemblance to marbling or wood grain, but in this work the comparison is only a beginning. The white, celadon, and dark clays have been mixed so that their colours remain distinct while also entering into a shared flow. This balance is difficult to maintain. If the clay is overworked, the colours lose their independence; if it is not sufficiently worked, air and uneven structure may cause failure in the kiln. The visible pattern therefore records a highly disciplined negotiation between softness and control.\u003c\/p\u003e\n\u003cp\u003eThe vertical grooves are central to the object’s intelligence. After wheel-throwing, the surface has been carved at even intervals, creating a ribbed structure that draws the eye from foot to mouth. Yet these grooves are not independent from the Yeollimun movement beneath them. They appear to have been cut in conscious relation to the mixed-clay pattern, allowing the darker and lighter passages to gather, repeat, and intensify across the curvature of the body. The result is neither purely natural nor mechanically regular. It is a composed meeting between accident and judgement.\u003c\/p\u003e\n\u003cp\u003eAround the middle of the jar, the darker pattern forms a horizontal zone, almost like a band of compressed breath. Above it, the vertical lines feel lighter and more open; below it, the pattern thickens and becomes more mineral, more inward. This arrangement gives the jar a sense of gravity. The eye is held at the centre before being released upward towards the mouth or downward towards the foot. In this way, the vessel guides viewing through its own structure.\u003c\/p\u003e\n\u003cp\u003eWithin Korean ceramic history, Yeollimun carries the quiet dignity of a path less widely preserved. Though known in the Goryeo period, it did not achieve the same public familiarity as other celebrated forms of Goryeo celadon because its process was difficult to control and unsuited to easy repetition. Kim Yong Seop’s work therefore has significance beyond surface beauty. It participates in the continuation of a fragile ceramic memory, one that nearly receded from common recognition.\u003c\/p\u003e\n\u003cp\u003eThe blue-green glaze gives the jar a subdued luminosity. It does not cover the Yeollimun pattern so much as hold it in suspension. Reflections pass across the ribs, while the darker clay appears and disappears according to angle and light. The rounded body rewards rotation: each view reveals a slightly different relationship between vertical carving, horizontal banding, and the internal flow of mixed earth.\u003c\/p\u003e\n\u003cp\u003eAs a vessel, it is not visually static. Its presence changes with looking. From the front, it appears composed and balanced; from an angle, the ribbed surface begins to move; seen from above, the small mouth becomes a dark centre within the radiating structure of the clay. The work carries the memory of the wheel, the pressure of the hand, the difficulty of firing, and the long patience required to make uncertainty behave without silencing it.\u003c\/p\u003e\n\u003cp\u003eThis jar stands as a contemporary vessel of inheritance: quiet, exacting, and deeply Korean in its understanding that beauty may arise when nature is guided, not conquered.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiameter- 18 cm (7.08 inch)\u003c\/li\u003e\n\u003cli\u003eHeight- 16.5 cm (6.5 inch)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRelated Links\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.artinko.com\/blogs\/korean-culture\/about-celadon\" title=\"About Celadon\"\u003eAbout Celadon\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca title=\"Pottery Master Kim Yong Seop Collection\" href=\"https:\/\/www.artinko.com\/collections\/kim-yong-seop\"\u003eKim Yong Seop Collection\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca title=\"Master Artisan Collection\" href=\"https:\/\/www.artinko.com\/collections\/master-artisan\"\u003eMaster Artisan Collection\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Celadons","offers":[{"title":"Default Title","offer_id":52072151122151,"sku":null,"price":960.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/0100\/1191\/files\/D4DC2A71-D70F-4EAE-99A9-BC6F74798C56.jpg?v=1778936066"}],"url":"https:\/\/www.artinko.com\/ja\/collections\/kim-yong-seop.oembed","provider":"ArtinKo","version":"1.0","type":"link"}